Thirty Coats exhibition

I regret having to deface my poster in this way, but if I don't every picture of my art I show here is an item the Chinese manufacturing ChicV feels entitled to steal.

My exhibition of art to wear opens next month in Newcastle, New South Wales, Australia. I'm heartbroken not to have been able to regularly blog and show pictures of the fantastic work I've been producing to exhibit in the last few months.

In my last blog post, on New Years eve 2020, I was sardonically wishing it would be "interesting times" (this sentiment comes from ancient chinese curse)....and sheeeesh, with the bushfires, drought and now a worldwide pandemic possibly looming I truly hope I had no influence with heaven.

As much as I've been infuriated by the Chinese manufacturing company which has been stealing and faking my artistic production (and defrauding 10s of 1000s of innocent customers to make their illegimate profit) I bear the Chinese people no ill will and I'm horrified at the situation they are in. Being exposed to the Coronavirus and millions of them quarantined in their homes and cities. It is dreadful and I dearly hope they, and all the rest of the world, can return safely to normal life soon.

I wish ChicV had acted honourably and negotiated for legal permission and a contract to make copies of my art to wear. They could have paid for that right and I could have ensured high production standards and it would have been a win/win for all.

May you live in interesting times, here comes 2020

Happy Christmas everybody.
May 2020 be a wonderful year for everybody.

A number of kind and concerned readers have contacted me to find out why I don't blog much lately. I am well, just still in a state of outrage over the appropriations of ChicV. They obviously watch what I show on this blog and feel entitled to steal whatever they fancy might make them $$$.

"Cheated"

I do have to move on because so much energy has been wasted on trying to stop it. If I could stop using Facebook, Instagram and Paypal I would....these companies don't uphold copyright laws and their complicity in enabling the scammers makes them culpable.
___________________________________________________________________________

In early March 2020 I'll be having an exhibition at Newcastle Art Space. Imaginatively titled "Thirty Coats".

This is my current work in progress

The face is hand painted and measures approximately 28 x 38cm. The headdress is applique, the fabrics of the neck and shoulders are more hand painting and stenciling.
The coat fabric is cotton/polyester from a used, salvaged doona cover and all the other fabrics are also sourced used from thrift shops.

This kind of image has been very consistent in my art for decades. Below are paintings from 2006 and 2014.

2006, mixed media and acrylic on board. Pearl Red Moon

2014. mixed media and acrylic on canvas. Pearl Red Moon

I used the painted image of the Green Woman to make a digital image that I had printed on fabric and used to make some garments.

digital image from my painting that was printed on fabric 

Tunic I made using the Green Woman image. The stripe and spot fabric was also designed by me, intentionally using colours that coordinated with the face print. Made in 2015

Mona Lisa for sale

Mona Lisa arrived in the mail yesterday. This is another fabric print I set up in Photoshop and had supplied by Spoonflower.  The 3 different colourways are now for sale in my Spoonflower shop, bought either by the metre or yard.

Spoonflower Boho Banjo fabric prints

I had it printed in the natural colours of the original Da Vinci painting and in a blue and monochrome versions. The blue will be used to combine with denim upcycled garments.

Below is a picture of an upcycle skirt made about a month ago, featuring a large decorative Frida Kahlo image on the left side. I bought this fabric from Spoonflower too but its a design by somebody else. The reminder of the skirt is patched from several used poly/cotton doona covers. So I intend to cut up my Mona Lisa prints into the various size patches to use in a similar way on future makes. The patches vary in size hugely from about 5cm x 3cm to the biggest at 31cm x 45cm.

I won't be able to play around using them until next week as I'm preparing to teach a workshop at the Tamworth Art Gallery this coming Sunday, Sept 22nd, from 11am - 2pm.

Darning and Reclaiming clothes workshop


It is free and everybody is welcome to come along and enjoy learning some simple skills to darn and patch clothes to greatly increase the long term wearability of them.

the left leg of the jeans are patched, the right leg is darned and darned/patched.

Distant Places

This is the "Distant Places" coat finished yesterday.

front of the Distant Places coat

It's made from 100%  upcycled and vintage fabrics. Most of it is from an embroidered doona (quilt cover) I bought for $4. The middle section has the embroidered areas of the original cover and I used the plain red poly/cotton fabric of the back side of the cover to fully line the coat.

front of Distant Places after the first day

back of Distant Places, showing the stenciling just after being applied

I had a beautiful 1950s silk charmeuse scarf in perfect condition that I cut up to add the sections of paisley print. Initially I felt quite reluctant to cut it, as it was so perfect in itself, but talked myself into it because it was unlikely to ever get much wear unless upcycled into a garment like this.

The striped and spotted sections - upper right front, lower left front, right side back, principally - were a heavy cotton weave from a cushion cover. The spots and stripes had been opposite sides.

back of the coat after adding the mauve stenciled triangles

at the sewing machine

Recently I had decided to try to spend less hours making each garment. Its difficult to get even $10 an hour for the labour hours put into each garment. Selling work that gets a reasonable price paid is always a conundrum for us ordinary artists to weigh up. Few of us ever reach the pinnacles of success and recognition where we can ask prices that equal anything like the average legal hourly rates of pay.

I had it in my head that I wouldn't spend more than 12 hours on this coat, in the hope I could price the finished piece around $200 - $250. But, as ever, I struggle to relegate anything I'm working on to become a "product". After 12 hours work and only being half way through I just had to abandon myself to the process knowing it would have to take as long as it was going to take.

I was very honoured to be included in the latest issue of Studio La Primitive ezine this month. Here is the link to it. My article is on pages 46-65.

Studio La Primitive arts ezine, September 2019

left side of Distant Places

back of Distant Places

a close up of the collar showing the reverse side

I'm very grateful to my husband who urges me constantly to worry less about selling work and just to luxuriate in the pleasure of having the freedom to allow myself to make the art while he can support me financially. Hopefully that future time when I have to go back to scrubbing toilets and changing beds is still a long way off. Somebody has to do it to support the less abled so I suppose it might as well be me.

I am whanau, like it or not

A lot of people may have hoped I’ve moved on from blogging about kimonos and chinamen so I’m going to disappoint….

Reading Ijeoma Oluos “So you Want to Talk About Race” 6 weeks ago I was intrigued to find, due to the geographic region where I’m born, she described me as an Asian. I’ve been turning it over for weeks with bemusement, not sure how it fits.

I was born in Asia. My ancestors emigrated to New Zealand at least 120 years ago. I’ve never been to England or Scotland where they came from before pre 19thC.

I’ve decided it’s true. I am an Asian.

I’m not English. I’m not Scottish. I’d be kicked out of those countries if I went there without a Passport and travel documents.

I am Asian.

….but to most of the rest of the world I’m white and wouldn’t be recognised as Asian. I was born 4^th generation in New Zealand but to others my first identity will always be “white” and by technical inheritance – racist.

patches sewed to the skirt top are images reproduced from vintage Japanese postcards that I had printed by Spoonflower

A Fuck You to American Racism

I was born in New Zealand and lived there until I was 26 when I went to live in Australia. 

Today New Zealand is a country of less than 5 million people and is a proudly multiracial country.

British colonists took over the islands by overwhelming mass immigration and aggressive force from the 1790s. By the time my various European ancestors arrived a 100 years later the military and settler hostilities with the indigenous Maori were largely over. The Treaty of Waitangi had been signed between Maori leaders and Queen Victoria in 1840. In modern day New Zealand that treaty is still legally upheld and has formed a strong foundation for the empowerment of the Maori by upholding their rights in perpetuity to large tracts of tribal land, control over rivers, coastlands and beaches. In NZ Whanau is strong and "white" descended NZers are welcome to become iwi. 

Americans have an ethnocentric view that their particular version of racism is the same everywhere in the world. American BIPOC campaigners seem to arrogantly disregard that outside their borders there might be different experiences between indigenous and colonisers. Racism is a many headed hydra that presented different fangs in every culture. The American type of racism is particularly vicious because of its entanglement with slavery over hundreds of years. American slavery started in 1619.

In the country of my birth and dual citizenship a much softer version of racism was perpetrated. There was no slavery, no reservation lands that the Maori were forced to live on, no miscegenation laws, no segregated education systems, no lynch mobs or versions of the KKK. 

How many Americans have ever met a Maori, visited New Zealand or know where Waitangi is? On one of my American trips I went to Gettysburg because Lincoln and the American civil war is fascinating.  I read numerous books about American history and racism. My 2 favourites are – “The Hemingses of Monticello” and “White Fragility”. Are currently reading “Stamped from the Beginning: The Definitive History of Racist Ideas in America” by Ibram X Kendi.

But the infuriating thing about American racism, like so much ubiquitous American culture, is that the concept has permeated everywhere internationally and has become the stereotype lens that many people interpret what racism is. Americans will always assume if I talk about racism that I’m talking about their version of it. Such an insular country that they cannot conceive of vastly different histories elsewhere. Black American social commentator Aja Barber said she moved to England to live because she felt safer there, so that implies she acknowledges there are less virulent versions of racism in different nations of the world.

How many Americans have ever been to New Zealand where I was born? I am proud to come from a nation which is highly integrated with its native Maori people. My experience is that the American assumption that all racism is just the same as what they created is wrong. I may be a racist by technical inheritance but I love the Maori people and numerous of my close family relatives are Maori identifying people.

It seems I’m a racist, inherited from my white ancestors 3 generations back - but I’m a Kiwi kind, not an American racist.

My problem with Chinamen

I’ve been amazed how many people took offence at my use of the word “slitty” to insult the Chinese people who are appropriating photos of my work to sell their fraudulent products. In truth I find Asian features very attractive and the characteristic slanted eyes are especially beautiful.

It was rude and offensive and intended to be so. But it didn’t spring from racism. It got attention and censure because it’s the kind of thing that racists say. It came from childish outrage at my powerlessness to stop their criminal fraud. I said it because I knew the workers of ChicV that read my blog and check in regularly to see what they can appropriate would find it offensive. The truth is, they hate me too. They are apparently quite comfortable doing a job that requires them to raid and steal images of other peoples work to use as false representations of the products they sell.

Racism is a system that upholds and perpetuates the belief that an identifiable group of people is superior to another group that is discerned to be inferior. It becomes a cultural, social and political set of ideas that is supported in law, rights and regulation favouring the superior group over the inferior.

I am anti-racist. I don’t believe I’m superior to any other race of people on Earth. I especially admire the indigenous Asian people of the Pacific – the Maori, indigenous Australians, the Japanese.

I am deeply fearful of Chinese racism and their imperialistic objectives to control the Pacific. While I acknowledge the awful crimes my English ancestors committed through colonialism I don't think The Peoples Republic of China will treat the native populations of the Pacific in any more of an enlightened way than the English did 250 years ago if they were to achieve power in this region.

Racist behaviours and beliefs aren't owned just by people of "white" ancestry.

some art for a change

Necklace of cloth beads. The focal pendant is a patch cut from one of the images on my cloth "Nippon postcard fabric". The cloth is printed with numerous images from vintage 20th century tourist postcards.

Spoonflower - "Nippon postcard fabric"

the 1 yard repeat of Nippon postcard yields over 100 patches

the focal pendant is a patch from the Nippon postcard fabric

the whole necklace has several cloth beads

I've been using individual patches cut from the same cloth sewed to many of the clothes I've made lately. On the dress in the picture below the small patch on the left pocket is from Nippon postcard. The large patch on the bottom right of this dress is another I've designed that is also for sale in my Spoonflower shop. That one is called "Faded Japan".

This is one of the upcycled dresses I've made to sell at Newcastle Craftfully Market on Sept 14/15. The bodice is a knit singlet, the centre is a section from a pillowcase, the skirt is made from a cotton doona cover. 100% upcycled fabrics except for the patches.

And another necklace of cloth beads made by me shown with it.

The reverse Ourosbouros Syndrome

Every time I’m on social media for the last 6 weeks I’ve been confronted with seeing photographs of my own art to wear garments scrolling past advertised for sale in the latest ChicV popup online shop. As I’ve been recounting here my complaints to Paypal, Shopify and Facebook have led me into labyrinthine processes that take hours and hours and after a week or 2 yield no results.

Pinterest had become the last corner of the internet I’ve been able to go to for a respite from seeing the incessant advertising…..until tonight.

Ughhhh, this is the sight I was confronted with onscreen…

My jacket is 50% off in the Baezshop! Now only US$24!!!

Unlike the copyright complaint processes of the other internet entities the Pinterest process was extremely quick and efficient. The form gets filled out….but won’t submit. This inscrutable message is emblazoned across the screen.

Request failed...invalid parameters

Then I spent several more hours trying to work out how to send a message that gets read and responded to by a human being. Result being 2 auto generated replies urging me to submit a copyright complaint.

The reverse Ourosbouros Syndrome. In ancient mythology the ourosbouros symbol is a snake eating its tail and supposed to signify eternity and the cycle of birth and death. But I'm changing the parts around and giving it a new interpretation today. Reverse Ourosbouros is when you have your head up your arse and are going around and around in circles going nowhere. 

I still have this jacket in the picture. The versions they describe as "yellow, red and purple" are simply colour shifts done in Photoshop. Below is a picture of my original blue jacket with a Sydney Morning Herald newspaper from July 29th 2019 displayed beside it. ChicV use the photo I published of it in a blog post in October 2018 in their shop pretending it is the product they sell, along with pictures of another 7 garments they are appropriating.

So this is the world today. 

If anybody has bought any of my faked garments from these crooks, or knows of anybody who did, if they contact me I am more than happy to do anything I can to help them claim a refund from Paypal, Shopify or Facebook on the basis that ChicV was using fraudulent pictures in it's advertising.

getting what you pay for

A comment made by a reader on my last blog

I understand your outage, however most people cannot pay top dollar prices. They do their best to get what they want as cheaply as possible. It is unfair to the designer, but most people don't have the extra money to pay for designer clothes. We do our best to get by on what little we have. I rarely can get new clothes, and when I do I get the best I can get with as little money as I can. I have bills to pay. My partner and I are both ill. She more than me. We have 5 pets that are rescues...so we do what we can. I am sorry for your losses. Blessings darlin.

My response....

(I have interspersed this with pictures of clothes I've made in the last couple of weeks that I plan to take to the Craftfully Market in Newcastle on Sept 15/15th....for a little light relief)

Hi XXXX, thanks for your comment, I am sorry to hear of your struggles with your partner. It is very hard to get by with living with dignity in poverty. 

You are slightly missing the real point about what makes me angry. 

I do understand poverty really well. I don’t make a living income from my work, at best my “wage” averages about $100 a week. That is less than what I’d be entitled to if I claimed a social security benefit for being unemployed. It is enough to pay the rent on my studio. My husband supports me financially. He is 73 and still works part time as a teacher to support both of us. If he wasn’t prepared to do that I would have to get a job. I’m not eligible to claim an aged pension in Australia until I’m 67. The main kinds of work I’ve done in the past has been domestic house cleaning and working in aged care homes caring for the elderly. If I had to get a job that is the only kind of work I would be considered capable of doing as I don’t have any other qualifications or work experience, other than working a brothel. And I'm way past that for sure. All I want to do after 10pm most evenings is sleep with my husband in our bed.

Dress upcycled from doona covers, Aus$60

Regrettably I’d probably find it difficult to get even that of kind of work now because I have bad arthritis affecting my hands (fingers of my right hand are too stiff and swollen to touch the palm when I make a fist) wrists, elbows, shoulders, knees and hips. I broke my ankle in a workplace about 7 years ago and it took 6 months for the ankle to mend and when I went back to work the physiotherapist told my employers that I shouldn’t do any work that required squatting, walking up or down more than 6 stairs or lifting more than 8 kilos. With those restrictions I’m not going to be a highly sought after employee. 

skirt upcycled from denim jeans and vintage patchwork quilt.
Added details of stenciling and running stitch. Aus$80

I am also Aspergers, which means within a day or 2 in any workplace I’ll be driving people crazy with my pedantic-ness and they will be ganging up on me and working out how to get me ejected because I don’t join factions or make friends. I am a total pain in the arse who always ends up the workplace scapegoat.

I am not technically a “designer” in the fashion industry definition nor do I have a clothing business. I work alone, by myself and make everything either totally from scratch or reconstruct garments from second hand clothes. There is no manufacturing, no outworkers. Every garment I make is cut, sewed, printed and constructed entirely by myself. There is only ever one single garment made at a time and it is never replicated….never, never ever. That is why I can truly, honestly and justifiably describe everything I make as “art to wear”.

skirt upcycled from sheets. Large patch on left side featuring Frida Kahlo
is an artisan designer textile printed on linen I bought from Spoonflower. Aus$65 (the patch cost $18)

I have enormous sympathy for women with limited funds who want to have beautiful clothes to wear. As a single Mum living on a benefit in my early 20s it was that desire that motivated me to borrow my mothers sewing machine and teach myself to sew. The clothes I designed and made back in the 1980s were very artistic too. Even way back then I was stenciling by hand and tie dyeing fabric. In 1984 I studied at a NZ Technical Institute to get a certificate in Patternmaking and Sample Machining. That skill came in useful 5 years ago when I started making PDF sewing patterns to sell. Unfortunately, though I have 22 patterns in the catalogue the patterns don’t sell very well. Perhaps I’m just too niche eclectic, the patterns are bad or I’m a terrible marketer? Anyway, after working at the sewing patterns pretty much full time for 4 years and never having had it succeed as a money making enterprise my interests wandered back to textile art and most of my time this last year has been spent making art to wear unique clothes.

dress upcycled from sheets and vintage textile remnant. Frida Kahlo patch
is new fabric from fabric I bought from artisan fabric designer on Spoonflower. Aus$70

I’m not sure what qualifies as “expensive” in designer clothes. I’ve never bought or owned anything made by a designer. Quite frankly, for 45 years I’ve always been a hugely enthusiastic thrift shopper. A quick calculation of the clothes I personally own breaks down like this….70% second hand used clothes from charity shops, 25% self made, 5% new clothes. The last time I bought a new brassiere 3 years ago it cost $60. I was so appalled at the price I considered it a worthwhile investment to buy about $200 worth of supplies to make my own bras into the future.

I feel kind of pained to hear the clothes I make described as “expensive”. It is part of my approach to ethical making that I want to make clothes that are beautiful and unique. I want the people who buy and wear them to love that they have something that has had time and imagination invested in it to make it something special. Hopefully it will be something they take great pleasure to wear and that makes them feel proud to own it. I hope it is not the kind of garment they would donate to a charity shop after 6 wears, a year of ownership or if they think it is has become “unfashionable”. Though many of the clothes are upcycled from used I know enough about textiles to choose and use only fabric that is sturdy enough to have the potential for many more decades of wear. As a skilled machinist I make clothes well using techniques that make the item durable for the long term.

skirt upcycled from pillowcases. Skirt is from kantha bedspread I bought mailorder
from artisan makers in India. Aus$50

I abhor the concept of “fashion”. I don’t spend time watching what other people are making or feel concerned to try to copy the current “look” or fad. That is for turkeys. I price my clothes based on loosely trying to make $10 an hour from my labour. That is a much lower rate of pay that what a clothing machinist would earn working in an Australian factory or as an outworker.

It also pains me that after 30 years of mass manufactured fast fashion flooding the first world some people are still not getting it that they have been living in a cloud cuckoo land of delusion. Clothes have been cheap and disposable because the first world was riding on the back of the labour exploitation of third world workers. The fabrics were manufactured in 3^rd world countries for unrealistically low cost because no one was counting the cost to the environment – the water, the electricity, the chemical pollution….

Globalisation and social justice means that 3^rd world labour isn’t always going to be content to work for slave labour rates. They are beginning to catch up and rightfully demanding fair compensation for their work.

Now all that is coming home to roost and we are paying the piper…big time.

skirt upcycled from pillowcases, doona covers and remnants of curtain fabrics.
Large patch lower left is reproduction from renaissance art, purchased from Spoonflower. Aus $60

ChicV isn’t offering beautiful clothes at affordable prices to poor women from big hearted generosity.  

ChicV has appropriated photographs of my work (and many, many other designers) without my knowledge or permission from my blog and other places (Shopify, Etsy, etc) and put those pictures in their shops, pretending it is the product they make. They show that picture to the customer purporting that is what they are selling – indicating that the customer will receive what is in the picture.

IT IS A TOTAL LIE AND FRAUD.

The customer does not receive what is in the picture. It would be impossible. There is only one of that garment that was made and photographed by me. ChicV has never seen the real thing, let alone designed and made it.

What the customer receives is a nasty poorly made fake. It has a photographic reproduction of the surface of my genuine garment. Unlike the item it is faking, it is not patched, appliqued, stitched and stenciled.

It is a shitty, sad poor rag made in a factory. Buyers who receive it who aren’t outraged at being scammed will probably feel ashamed to own such a travesty of a thing and throw it in a bin or donate it to charity.

It is not a garment one person spent 10-20-30 hours labouring over by hand using imagination, skill and passion. ChicV peddle fakery that is the distillation of the crap fashion that is part of the wastefulness of resources that is contributing to the wrecking of our precious environment.

...btw, I have 2 rescue dogs and a rescue rooster.

Smash ChicV

Blog readers….I’m so grateful to the many of you who’ve reached out lately to send messages of support for my current situation with the criminal enterprise ChicV. And thanks to the many who repost my blogs so others are getting warned not to get taken in by the scammers. It is working because every day I get more and more messages from people who came across the negative feedback and send thanks that they didn’t purchase the hideous fakes made by ChicV.

I remain deeply distressed at the ongoing fraud ripping off innocent customers of their money. Numerous scenarios of how ChicV could be stopped come and go through my head. Its obvious they base the ongoing success of their criminal enterprise on the cynical knowledge of how difficult it is to stop an international fraud. ChicV is registered in China and operate their mass manufacturing industries there. I am an artisan living in Australia. The internet businesses which facilitate ChicV to stay in business are in the USA. Facebook (Instagram) and Shopify are the platforms ChicV utilise for their online shops. Paypal facilitates payments from customers to ChicV.

my art to wear coat "Coat for the Recalcitrant Bohemian Princess"
NOT THE PRODUCT OF MODARIE.COM

I don’t want to approach this by stopping the faking of just my own 8 designs.

Get my own stuff taken down, sigh with relief, wash my hands of it and walk away….leaving dozens of other small artisan makers still being exploited, now and into the future. I want ChicV, as the serpent that sprouts all the nasty hydra heads that come and go as popup shops, to be truncated.

There are 3 potential ways to stop it = 1) ask ChicV to stop  2) ask Facebook and Shopify to stop hosting a criminal activity  3) ask Paypal to stop facilitating exchange of money for goods that are sold on fraudulent representations.

Option 1 is definitely not going to work.

Options 2 and 3 have potential.

But I need help. I can’t do this by myself. After having this issue derail my life for a month I’ve been able to consider all the huge ramifications it involves…

International politics. International ecommerce law. Copyright law. Representing numerous international complainants. Tens of thousands of defrauded customers. The corrupt policies of businesses like Facebook and Paypal which continue to facilitate criminal activity….

In truth I think dealing with ChicV would be a full time job for a team of highly educated legal professionals.

Please help by asking anybody you know, who you might think has the capacity to drive this, or organisation, politician, lawyer, rights advocate, whatever, whomever if they could take this on.

Please repost on Facebook so that if there is somebody out there who might feel equipped to take this on can get started…..

Can't fool all the people all the time

People who follow me on Instagram at #pearlredmoonart will have noticed I haven’t been posting much lately. That’s because I feel nauseated every time I start scrolling through my feed to see Chinese mass manufacturing businesses using photographs of clothes I’ve made in their online shops. It makes me anxious and upset. Depressed.

the 2 garments of the right are photos of art to wear clothes made by me.
They are NOT THE PRODUCT OF TUSANCAT

Jacket on the left was made by me.
NOT THE PRODUCT TUSANCAT IS SELLING!!!

Another level of distress has been the enormous amount of my precious time I’ve devoted in the last few weeks to trying to bring this to the attention of Paypal, Shopify and Facebook….all to learn that a single individual artisan like me, and all the many others, are so easy to sideline and ignore. The processes we are invited to engage in are a travesty and move with the alacrity of a zombie.

I’ve been writing this blog for almost 10 years and long term readers know without doubt that I am a real person talking about my real life, showing and discussing my textile art and other political issues that interest me.

My overarching concern for most of the decade writing this blog has been about the climate emergency. The life I live has been consciously chosen and constructed to create the most minimal  footprint I can on the ecology of my immediate environment and the larger world.

I don’t manufacture clothing at any scale. Working at my most efficient I might be able to make 2 simple dresses in a working day of 8 hours. My real output is probably more like 3-5 garments a week. In my making I’m using at least 80% recycled used clothes and discarded items that would have gone to landfill. 

When I make a piece of clothing I try to invest in it time, imagination and processes that value add to the item of clothing so that whoever buys it regards it as art to wear. Everything I make is intended to be something special, handmade and unique that the buyer will wear for years, perhaps a lifetime, and not treat as a piece of “fast fashion” or disposable clothing. I don’t make trash clothing and abhor the fast fashion model of business. 

It is unethical and destructive on almost every basis I can think of.

 Heres a list of just a few issues that comes to mind

1)      They steal the creative production of others to enrich a small cabal of business owners

2)      They exploit their workers by under paying and over working them

3)      They create poorly made rubbish fast fashion that customers may only wear briefly then dispose of probably within a few months

4)      They pollute their own local environment though the careless use of resources, like electricity, fuel to send their garbage all over the world, enormous waste of water to manufacture the synthetic fabrics they use and to get them printed…

new dress I made a few days ago

Over the years I have frequently waved my flag as an ethical maker. This is part of why I feel compelled to do everything I can to try to stop Chinese company ChicV in continuing it’s fraudulent activities. If I walked away from this it would be condoning that they can continue scamming purchasers with impunity and wrecking our precious Earth. In the way ChicV have appropriated my work they have instantly subverted every activity I’ve done in a decade to try to live as low polluting as I can. They have taken my creative production, unique art to wear clothes I’ve sometimes spent 40 hours making, and pretended that that item is a picture of their product. They tell potential customers looking at the products for sale in their shops that that is what they are buying. It is a complete and utter fraud.

I am virtually powerless to have any interaction with ChicV that would be taken seriously by them. This is part political, because The Peoples Republic of China doesn’t recognise international copyright laws. They can give me the finger.

So action needs to be taken probably in the USA. Paypal, Shopify and Facebook need to be held to account for facilitating the advertising and mailorder payments of this criminal enterprise. My recent experience with trying to communicate with them and having gotten engaged in the processes they present is that it is a travesty designed to obsfuscate and cause the complainer to throw their hands up in frustration and walk away.

Running a successful campaign to get change is going to need a team of people that can focus. A plan needs to be made. Politicians need to be lobbied and gotten on board. Lawyers with knowledge of international ecommerce and copyright laws are needed to advise. Journalists in the news media and influencers on social media need to advocate loud and far.

Angry people are mobilising in Facebook groups and various forums. We need to get together to formulate a plan of action to get the attention needed.

ChicV and other international fraudsters operating this type of business model must be stopped.

Please discuss….