Rodney entered this wonderful portrait of me in the Pastels/Drawing section.
On the right is a self portrait Rodney did about 2 years ago. He made the one of me the same size and in similar colours so we can hang them at home as a pair. Our lucky grandkids will no doubt fight to own them one day!
I was really amazed to win for my work River Water Hole. I only entered it because Rodney insisted and we needed lots of art to fill the walls! The picture was done 18 months ago for an exhibition sponsored by the Pages River committee. I don't have much affinity for rendering landscape and it is the only one I have ever done....sheeesh! I thought my figurative works were much better....
I went down to the show this morning to take a picture but the digital camera went flat so tomorrow I'll publish a picture.
The judge Brad Franks, the manager of the Muswellbrook Arts Centre did a wonderful job giving out the prizes and commendations. It is always great when the judges can make time to give some critique about their choices. I have been entering art shows for less than 2 years, totalling only 6 now, and have learned there is no such thing as a predictable winner! Never have I been able to predict the winner in any section or overall. Sometimes I can narrow it to a shortlist of likelihoods, but more often than not I have been completely amazed, occasionally completely astounded at the judges choice.
So it was delightful to have an arts professional like Brad, someone whose job it is to work with contemporary and recent Australian art every day, give an eloquent description of why the pieces he chose for recognition were selected. I found it so fascinating that immediately after the awards I went back to look at many pictures I hadn't really appreciated before.
In my last blog I spoke about my own reticence with having ones art framed by ideologies, themes, messages, narratives, whatever...that I consciously eschew adopting symbols, iconography or images that feel contrived to suggest narratives.... (which is not to say other artists can't do this without great and authentic gravitas. It just doesn't work for me) So it was utterly fascinating when Brad described his response to Still Life something like this "suggestion of religious themes perhaps Mary Magdalene, containing great sadness, the cloth suggests a shroud perhaps implying suffering or grief of some sort" Golly! It was lovely to hear it could evoke such emotions but when working on it I never felt sad or wanted to say anything about grief or religious themes (I'm an atheist) It just felt very still and meditative.
River Water Hole he described as "an iconic image, something almost spiritual or metaphysical in the way the depths of water are suggested" Wow, more astounding and wonderful words! Though the truth is the focal piece of layered embroidery was created about 8 years ago and had no reference to water at all. 18 months ago I decided to use that fragment to embellish around to make a larger work for a Pages River art show. I did appliques and embroidery around the focal piece to suggest rocks and water running over them and used felt and shreds of light reflective fabrics to suggest reflections. But the central focal piece was only chosen because it had lots of green in it.